As of June 2026, Media Technical Directors/Managers has an AI-exposure score of 59/100 (Elevated exposure) on the AI-Safe Careers index, blending O*NET tasks, the Anthropic Economic Index, the Penn/OpenAI study, and BLS data. This is an estimate of task exposure, not a prediction of job loss.
Media Technical Directors/Managers
More exposed than 63% of the roles we track. Median pay ~US$90,360. About 12,800 projected openings a year (BLS 2024–34 — growth plus replacement).
Pay & demand figures are US medians (BLS, in USD) — your local figures will differ. Your exposure score applies broadly.
How you compare to similar Arts, Design & Media roles
Your tasks, by AI exposure
- Switch between video sources in a studio or on multi-camera remotes, using equipment such as switchers, video slide projectors, and video effects generators.
- Monitor broadcasts to ensure that programs conform to station or network policies and regulations.
- Operate equipment to produce programs or broadcast live programs from remote locations.
- Schedule use of studio and editing facilities for producers and engineering and maintenance staff.
- Observe pictures through monitors and direct camera and video staff concerning shading and composition.
- Test equipment to ensure proper operation.
- Follow instructions from production managers and directors during productions, such as commands for camera cuts, effects, graphics, and takes.
- Train workers in use of equipment, such as switchers, cameras, monitors, microphones, and lights.
- Set up and execute video transitions and special effects, such as fades, dissolves, cuts, keys, and supers, using computers to manipulate pictures as necessary.
- Direct technical aspects of newscasts and other productions, checking and switching between video sources and taking responsibility for the on-air product, including camera shots and graphics.
- Act as liaisons between engineering and production departments.
- Confer with operations directors to formulate and maintain fair and attainable technical policies for programs.
- Discuss filter options, lens choices, and the visual effects of objects being filmed with photography directors and video operators.
- Supervise and assign duties to workers engaged in technical control and production of radio and television programs.
- Collaborate with promotions directors to produce on-air station promotions.
No durable tasks identified for this role — its real, individually-assessed tasks consistently read as augmentable (73%).
Safer adjacent roles
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